Life imitates art when Alia dons the Gertrude Tie-Neck Silk-Chiffon Top in the Objects print, comprised of photographer Neil Winokur’s signature still-lifes from the 80s.
Take a page out of Alia’s book and narrate a novela to a small gathering of friends while flexing your toes beneath the foxglove flare of the Bette pant, or consider the equestrian potential of the Fanny Dress, replete with hundreds of doting waiters, their noses upturned, serving martinis drier than a British sense of humor.
Equal parts regal and rococo, the artist herself resplendent in Rachel Antonoff.
